Director: John Ford Year: 1946 - This film is perhaps the strongest example (at least in America) of a film where directorial vision determines the film much more than script or performances. On the surface, this is a bog-standard early Western - as this film and Destry Rides Again would seem to reveal, before the genre took itself more seriously in the 50's the standard template was something close to self-parody. (Something similar seemed to happen with secret agent films in the early 60's.) This film is full of ridiculous and fun Western cliches. However, the long, languid takes, where characters are frequently displayed with their faces in complete darkness, uplifts the film into a ponderous and fascinating study of violence. It might be my favorite Western. It is dragged down by some unnecessary racism, although it's much less of an offender than Stagecoach or The Searchers , which had been removed from the list for just that.
https://mubi.com/lists/kenjis-canon-the-big-1000