Director: Josef von Sternberg Year: 1934 Run-time: 1 hr 44 min - This at first seemed like one of the lesser films from von Sternberg and Marlene Dietrich, but on reflection I like it a lot. The set design is phenomenal - the insane chairs with grotesques hovering above the backs, the skeleton at the dinner table. It's a fever dream, and the fact that it's shot in enough darkness to make the cameras of the time period strain to pick up these backgrounds makes it even more astonishing. - This is from an era of period pieces when actors could just get away with American accents - I'm reminded of the excellent Youtube series on accents. Surprisingly, I'm not entirely opposed to the old method - it allows the actors to be more naturally expressive. It just sends a different directorial message, putting the emphasis more on commonalities between that time and place and now. (It also inevitably comes off as insensitive to culture - I'm not saying we should ...
https://mubi.com/lists/kenjis-canon-the-big-1000