Skip to main content

滝の白糸 (The Water Magician)

Director: Kenji Mizoguchi
Year: 1933
Run-time: 1 hr 40 min
Source: Youtube

Notable For: I've chosen this list for the extraordinary breadth of films on it, with films chosen of nearly every nationality with no regard for their current availability (although this has caused quite a bit of frustration in tracking down these films).  But every cineaste has their particular tastes, and this one has made no secret of the fact that his favorite director is Kenji Mizoguchi.  And while that name isn't quite as well known as that of Mizoguchi's compatriots Kurosawa or Ozu, he was nevertheless a phenomenal director who perfected the art of the long take.  Water Magician is the rare Japanese silent film that survived to the present day, and wonderfully, it's on Youtube with the Bensho narration that it would have screened with at the time (also woefully lacking in films like Page of Madness).

Verdict: Water Magician doesn't have the cinematographic style that his later films would have, but it's characteristic of Mizoguchi in its focus on a strong woman who gives up everything for the sake of a weak man (which makes it remarkably similar to Japanese Girls at the Harbor).  Here we have the titular water magician - another occasional trademark of Mizoguchi is putting traditional Japanese arts on screen, but I don't really know how common this strange and interesting practice is - who falls in love with a poor law student and decides to dedicate much of her earnings to his studies.  The melodrama is ramped up considerably near the end, as she is put on trial and he is forced to prosecute her.  This isn't Mizoguchi's best work, but it's interesting to see his style developing.  There are many more of his films to come.


Comments

Popular posts from this blog

Fétiche Mascotte (The Mascot)

Director: Ladislas Starevich Year: 1933 Run-time: 26 min Source: Youtube Notable For : The second animated short on the list from 1933 is this stop-motion piece from the Polish-Russian film-maker Ladislas Starevich.  Stop-motion is almost as old as cinema itself (Starevich had been innovating since 1912).  The craft here is as good as any modern film, and Starevich's twisted imagination is on full display, with dolls and household objects coming to life in a dark version of Toy Story.  For animation fans, it almost goes without saying that Starevich was an influence on Jan Svankmajer's work much later. Verdict :  Every frame is a bizarre delight. There didn't seem to be an overarching plan to this work (indeed, it's possible that The Mascot  is an amalgamation of several shorter films featuring the same dog character), and so the film veers from one strange scene to the next, with much of the second half taking place in some kind of tchotchke hell governe...

A Trip to the Moon

Director: Georges Méliès Year: 1902 Seeing the painstakingly restored hand-colored print of A Trip to the Moon, in a literally mind-numbing 14 frames per second, makes it utterly clear that cinema is and has always been witchcraft. Every frame of this short feels bursting with magic, and even watching it on a modern TV in a space age that would have blown the mind of any of the actors of this film, you're left thinking "How did they do that?".

Paisan

Director: Roberto Rossellini Year: 1946 The greatest innovation in cinema around this period is the emergence of mainstream films that are anchored so specifically in contemporary life, that were deliberately not timeless. Rossellini went further than anyone else in this direction - Paisan  deliberately interweaves stock war footage with staged settings, real actors with non-professionals, to create something that deliberately skirts the line between fiction and documentary. Paisan  is also the first great bilingual film on the list, not only featuring English and Italian but many different dialects, making the film extremely difficult for a native Italian to understand. The performances are often extremely stilted, and there are glaring editing mistakes, but many of the stories are extremely compelling.