Skip to main content

Pinocchio

Directors: Ben Sharpsteen and Hamilton Luske
Year: 1940
Run-time: 1 hr 28 min

- I find Pinocchio to be alternately tragic and vaudevillian. As a morality tale, it's oppressive, with the protagonist falling headlong into all sorts of terrible vices from the get-go. (The famous lie-detecting nose bit is actually the most understated.) As a piece of Disney animation, it's chock full of wonderful details and expressions in just about every character. Certainly the lead character himself moves like no other cartoon before or since, but Jiminy Cricket also has a strange dance-like gait as well that makes this film entrancing to watch.

- As a landmark in Disney's pivot towards serious, emotional feature films, it's probably more of a landmark than the pretty but asinine Snow White, but it's not even close to my favorite animated films.

Comments

Popular posts from this blog

Bringing Up Baby

Director: Howard Hawks Year: 1938 Run-time: 1 hr 42 min - Bringing Up Baby  is in my mind the epitome of the screwball comedy, and probably its finest example.  Hepburn and Grant are just so perfect in their roles, and the level of constant absurdity gets to the point where it overrides any cultural datedness and just becomes fun.  (The main exception is the Irish stereotype, but given that he is justified in how he behaves, it's excusable.)  I was a bit shocked to discover that this was not a commercial success, and indeed almost ruined Hepburn's career (she had the most to lose, given how novel her quirky performance is). - Looking back at the three screwballs so far on this list, it never occurred to me before how the genre seems to rely on a rich and "privileged" female lead to be the one to challenge and emasculate the male lead.  Perhaps that was the acceptable way to present it to a depression-era audience?

The Cat Concerto

Directors: William Hanna and Joseph Barbera Year: 1947 I'm sure it's no coincidence that music plays such a strong role in many of the animated films featured on the list. By this point, there's nothing especially novel about this Tom and Jerry  short by another great animation studio led by Hanna and Barbera, except that the execution is so spot-on. This is eight minutes of pure delight. 

Partie de campagne (A Day In the Country)

Director: Jean Renoir Year: 1936 Run-time: 40 min - You can tell that French film is thriving in 1936 by the fact that a film by Renoir is the worst of the last three on the list.  (Renoir has two 1936 films on the list - and other classics from this year that didn't make the cut.)  That's only really due to its brevity, and the fact that it wasn't properly finished due to extenuating circumstances.  What exists is still pretty excellent - putting the elegant but slight story aside, it's Renoir's ode to the natural world, which never quite came through before due to the bluntness of 1930's cinematography.  In fact, it's the only Renoir film I've seen in which he channels something of his father's eye for natural beauty (a fact he alludes to himself in a later commentary he gave on the film).