Skip to main content

Bambi

  • Director: David Hand
  • Year: 1942
  • Run-time: 1 hr 10 min
- Bambi is the last of the original Disney feature run to be on the list. I like the film, but I admit it's a bit of an anomaly in this line-up. Only rarely is it very funny, it doesn't contain much animated whimsy of the previous films, and it doesn't really have a clear moral through-line. But it is a beautiful film, perhaps the most beautiful since Fantasia, with which it shares the most in common, and it's a heartbreaking film at times.

- My wife likes the fact that the animals behave like animals in their broad strokes - thus there are no deer fathers (including Bambi himself), and the motivations are pretty immediate and short-term (all of the animals fall immediately in love in one of the film's laziest sequences). I don't mind the idea of that, but it creates a real clash with their anthromorphic design and dialogue that makes the film a bit unsettling, and as I've said above, there is no real moral takeaway. I'm not claiming that in itself is a bad thing, but it's hard to take away anything substantial from this movie.

Comments

Popular posts from this blog

Bringing Up Baby

Director: Howard Hawks Year: 1938 Run-time: 1 hr 42 min - Bringing Up Baby  is in my mind the epitome of the screwball comedy, and probably its finest example.  Hepburn and Grant are just so perfect in their roles, and the level of constant absurdity gets to the point where it overrides any cultural datedness and just becomes fun.  (The main exception is the Irish stereotype, but given that he is justified in how he behaves, it's excusable.)  I was a bit shocked to discover that this was not a commercial success, and indeed almost ruined Hepburn's career (she had the most to lose, given how novel her quirky performance is). - Looking back at the three screwballs so far on this list, it never occurred to me before how the genre seems to rely on a rich and "privileged" female lead to be the one to challenge and emasculate the male lead.  Perhaps that was the acceptable way to present it to a depression-era audience?

Fétiche Mascotte (The Mascot)

Director: Ladislas Starevich Year: 1933 Run-time: 26 min Source: Youtube Notable For : The second animated short on the list from 1933 is this stop-motion piece from the Polish-Russian film-maker Ladislas Starevich.  Stop-motion is almost as old as cinema itself (Starevich had been innovating since 1912).  The craft here is as good as any modern film, and Starevich's twisted imagination is on full display, with dolls and household objects coming to life in a dark version of Toy Story.  For animation fans, it almost goes without saying that Starevich was an influence on Jan Svankmajer's work much later. Verdict :  Every frame is a bizarre delight. There didn't seem to be an overarching plan to this work (indeed, it's possible that The Mascot  is an amalgamation of several shorter films featuring the same dog character), and so the film veers from one strange scene to the next, with much of the second half taking place in some kind of tchotchke hell governe...

The Cat Concerto

Directors: William Hanna and Joseph Barbera Year: 1947 I'm sure it's no coincidence that music plays such a strong role in many of the animated films featured on the list. By this point, there's nothing especially novel about this Tom and Jerry  short by another great animation studio led by Hanna and Barbera, except that the execution is so spot-on. This is eight minutes of pure delight.