Skip to main content

To Be Or Not To Be

  • Director: Ernst Lubitsch
  • Year: 1942
  • Run-time: 1 hr 39 min
- This movie feels separate from any earlier or later genre in film. It's first and foremost a comedy, but in a harrowing setting pulled from an ongoing tragedy in another part of the world. The characters are Poles - including a prominent Jewish character - that speak with American accents and deal with relatable and often petty trifles pulled from any screwball comedy of the era, set in the emerging context of Nazi invasion. Lubitsch had the daring intent to humanize an urgent contemporary event in human history, and did so in a way that would be novel to his audiences, and a little uncomfortable to those of our time, given that there's no sense of actual Polish culture or heritage here. But our time has not been able to produce popular mainstream films that deal with international conflict - where are the great popular films about the Syrian crisis for example? It's not as daring as The Great Dictator, or as good, but it's a very worthwhile watch.

Comments

Popular posts from this blog

Bringing Up Baby

Director: Howard Hawks Year: 1938 Run-time: 1 hr 42 min - Bringing Up Baby  is in my mind the epitome of the screwball comedy, and probably its finest example.  Hepburn and Grant are just so perfect in their roles, and the level of constant absurdity gets to the point where it overrides any cultural datedness and just becomes fun.  (The main exception is the Irish stereotype, but given that he is justified in how he behaves, it's excusable.)  I was a bit shocked to discover that this was not a commercial success, and indeed almost ruined Hepburn's career (she had the most to lose, given how novel her quirky performance is). - Looking back at the three screwballs so far on this list, it never occurred to me before how the genre seems to rely on a rich and "privileged" female lead to be the one to challenge and emasculate the male lead.  Perhaps that was the acceptable way to present it to a depression-era audience?

Partie de campagne (A Day In the Country)

Director: Jean Renoir Year: 1936 Run-time: 40 min - You can tell that French film is thriving in 1936 by the fact that a film by Renoir is the worst of the last three on the list.  (Renoir has two 1936 films on the list - and other classics from this year that didn't make the cut.)  That's only really due to its brevity, and the fact that it wasn't properly finished due to extenuating circumstances.  What exists is still pretty excellent - putting the elegant but slight story aside, it's Renoir's ode to the natural world, which never quite came through before due to the bluntness of 1930's cinematography.  In fact, it's the only Renoir film I've seen in which he channels something of his father's eye for natural beauty (a fact he alludes to himself in a later commentary he gave on the film).

The Cat Concerto

Directors: William Hanna and Joseph Barbera Year: 1947 I'm sure it's no coincidence that music plays such a strong role in many of the animated films featured on the list. By this point, there's nothing especially novel about this Tom and Jerry  short by another great animation studio led by Hanna and Barbera, except that the execution is so spot-on. This is eight minutes of pure delight.