I Walked With A Zombie

Director: Jacques Torneur
Year: 1943
Run-time: 1 hr 9 min

- If I were a snarky Youtube reviewer, I would subtitle this movie "Jane Eyre, with added sexism and racism". And there is some truth to that - the "wife in the attic" becomes the titular zombie, but her fate is largely due to her own desires to run away. Also, although Torneur takes a more honest look at the effects of colonialism and slavery than any contemporary film, the needs of the schlock-horror setup means that, yes, the powers of voodoo are actually real. Ultimately, this was a fascinating film, but a deeply flawed one. Torneur has a wide oeuvre, though, so I have rising hopes for the others of his films on the list.

Comments

The Cat Concerto

Directors: William Hanna and Joseph Barbera Year: 1947 I'm sure it's no coincidence that music plays such a strong role in many of the animated films featured on the list. By this point, there's nothing especially novel about this Tom and Jerry short by another great animation studio led by Hanna and Barbera, except that the execution is so spot-on. This is eight minutes of pure delight.

The Land Beyond The Sunset

Director: Harold M. Shaw Year: 1912 Runtime: 0:14 Source: Youtube This is a great short film to watch if you're spending a hot summer in the city. It was made by a little-known director as something of a PSA about the Fresh Air Fund, a non-profit which let inner-city children vacation in the countryside. (It's still going strong today!) A poor young newsie with an endearingly tattered cap gets to take a break from child labor and parental abuse, and join a group of kids for one day in the great outdoors. In many ways this would be the prototype of the heartwarming Pixar short, if the ending wasn't so poignant and bittersweet. It's such a simple little film, but one that's absolutely worth 14 minutes of your life.

Bringing Up Baby

Director: Howard Hawks Year: 1938 Run-time: 1 hr 42 min - Bringing Up Baby is in my mind the epitome of the screwball comedy, and probably its finest example. Hepburn and Grant are just so perfect in their roles, and the level of constant absurdity gets to the point where it overrides any cultural datedness and just becomes fun. (The main exception is the Irish stereotype, but given that he is justified in how he behaves, it's excusable.) I was a bit shocked to discover that this was not a commercial success, and indeed almost ruined Hepburn's career (she had the most to lose, given how novel her quirky performance is). - Looking back at the three screwballs so far on this list, it never occurred to me before how the genre seems to rely on a rich and "privileged" female lead to be the one to challenge and emasculate the male lead. Perhaps that was the acceptable way to present it to a depression-era audience?

Man With A Movie List

Search This Blog