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Gilda

  • Director: Charles Vidor
  • Year: 1946
Is there any other two-second shot as iconic as Rita Hayworth's introduction in this film? She certainly dominates any scene that she's in, but Glenn Ford also deserves a lot of credit, and I wish this film did a little more with the strange homoerotic love triangle that he forms with George McReady. The film has a strange and interesting tone until its bizarrely unearned happy ending. I still quite like the film - it's a noir in which the nebulous crimes committed are the least interesting aspect, and it's certainly very unique (with good music to boot, although I don't really need to hear "Put the Blame on Mame" twice). 

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